Tag Archives: download
Tonight (I Would Die) sounds like it came from another musically stronger era, yet it feels as young and fresh as its writer. I am floored by the fact that it was created by a 16 year old kid in his basement. Jean Sebastien Audet is making a name for the Calgary music scene with this project, along with all his others – Faux Fur, Darren Wantz and Zouk Fuck.
“My friends actually get mad. I’m sure it’s annoying. I always blow them off to record alone in my basement. The other day I just finished a new song and my parents were pissed ― I wasn’t coming up for supper and I was still playing drums at, like, 9 o’clock.”
That’s the kind of determination that all but ensures he will have great success in this industry once he graduates from his teen years.
You can download the song below – it’s name your price – so if you have a dollar, it’s more than worth it – but if you don’t, grab it anyway and become this kids biggest fan before he turns 20 and writes the best album this country has produced in a very long time. Then go listen to more of their songs here.
Another album review written by my helpful intern Sebastian L’Arrivée.
CocoRosie’s latest release, Tales of a GrassWidow, is somewhat different from the bands past efforts, in that there is a strong, if dark, story flowing throughout. The songs follow an overt structure and there’s significantly less reliance upon shocking the audience in the way that they have on previous albums.
The album draws influence from an impressive variety of genres, from hip hop to pop and electronica. The tenth track on the album, “Villain,” even seems to incorporate elements of lounge music. This diversity of genre is coupled with a variety of instrumentation to create a sound that is entirely unique.
Tales of a GrassWidow combines synthesizers, beat-boxing samples, and CocoRosie’s distinctive vocal stylings with pianos, accordions and a number of traditional instruments. A few songs, such as “Broken Chariot” and “Roots of My Hair” for example, even feature a native flute and a string instrument – possibly a sitar.
It’s a very interesting album that undoubtedly displays CocoRosie’s growing musical ability – unfortunately, it may have been somewhat overambitious. All these different sonic elements, combined with an ethereal, ambient production style, make for the kind of record that you zone out to, rather than actively engage with.
The album only really picks up around the sixth track, “Gravedigress,” at which point it becomes captivating and doesn’t let up until the final track.
A big highlight of the record is the secret hidden track, “Poison.” The song blends a noisy, fast beat and dissonant synth lines with bells and atmospheric vocals. The combination of the dissonant and consonant really represents the album as whole, and ties its overarching themes together perfectly.
While not perfect, Tales of a GrassWidow represents a new direction for CocoRosie – a direction that could turn out quite positively as they continue to develop this sound. It is an album worth picking up if you get the chance.
Wildlife has a new album called …On The Heart coming out on March 5th! It is probably my most anticipated album of the year so far, and this song is just a hint at why. Their debut album Strike Hard, Young Diamond was literally my main obsession in the summer of 2011, so I can not WAIT for this one.
The fact that they named this track after a Bruce song certainly reminds me of the first time I saw them play and makes me love them even more, but that the song lives up to such an epic reference is what matters most. You can’t make that level of comparison in the listeners mind before they even hit play unless you know the song is gonna live up to it, and it does. The rolling drums, the layered harmonies, that guitar line, the lyrics. It’s as good as a single can get. I want to sing along and play it over and over again, just as I did with “Killing For Fun.” If the rest of …On The Heart is as solid as “Born To Ruin,” it’s gonna be just as great (if not better) than their incredible debut.
Listen below and click here to download it for free!
This weeks song comes via my favourite Hamilton boys, The Dirty Nil. Their latest is a split 7 inch with another great band (from my hometown, which makes me happy) Northern Primitive. Both songs are very, very different – but somehow they work well together. “Zombie Eyed” is exactly what we want and expect from Nil at this point – a loud, fun, catchy song to sing along to when you’re having an amazing night. “Positive Bondar” is the opposite – slow, menacing, and sounds like it was recorded in a dungeon while watching someone be tortured – aka also awesome. Visceral emotions all over the place.
Best part – both songs are available for FREE via The Dirty Nil’s bandcamp until the end of the month, so download it, now!
You should also watch their performance of both songs for Southern Souls – who continue to make the most beautiful music videos around:
It’s been awhile since I’ve really dug something that came to my inbox, but when I saw that this band is on one of my favourite labels, Kill Rock Stars, I figured there was a higher chance of it being awesome than usual, and I was correct. I hit play and immediately fell in love with the synthy intro and melodic guitar line, but it’s Mat Klachefsky’s nasally voice and the singalong gang vocals that really do it for me. The first comparison that came to mind is Clap Your Hands Say Yeah, an old favourite of mine.
If you wanna dance, this is the song to do just that.
Oh and Boats are from Winnipeg, which makes me happy.
This song comes from their upcoming third album A Fairway Full Of Miners which is out on February 5th. A three song cassette tape will be released at some point this month in anticipation of the release.
Listen/download “Great Skulls” below: